Testifying the importance of the purple workshops of Carthage, were Purple dyeing is one of the main industries at the Phoenician and RomanĬarthage. HISTORICAL BACKGROUND OF PURPLE AT CARTHAGE & ARCHEOLOGICAL Spectroscopy, scanning electron microscopy. Used, we can mention HPLC, x-ray fluorescence, x-ray diffraction, FTIR Thorough as possible on the coloring matter as well as the support Methods allowed us to have information as The slightly destructive and non-destructive Material was studied by several methods of Layer dating back to the third century BC.īelonging to an archeological collection and unique in its kind, this Particular, we hope to find out more about the possible link betweenĭuring excavations done at the island of Zembra in Tunisia, we discoveredĪ sample of purple clay earth in a stratigraphic We hope that other techniques such as Synchrotron Radiation analysisĬan bring a new insight to this exciting problem. For instance, it is not clear why the colorant was mixed with clay. Several interesting questions remain to be elucidated. The support of the colorant was found to be essentially clay containing titanium, phosphorus, calcium, iron, sodium, The precious colorant turn out to be true animal purple, which was, among other things, used in dyeing by the Phoenicians and the Romans. X-ray fluorescence, X-ray diffraction, FTIR spectroscopy, scanning electron microscopy. Picture courtesy of the Man and Mollusc Site and Paul MonfilsĪ sample of purple clay earth dating back to the third century BC is analyzed by several techniques such as HPLC, Studies concerning Maya blue can provide clues to the understanding of the Punic colorant. (There are also blue and cyan colored lead crystals found in Mexico.) Maya blue is similar to Zembra Punic purple both in usage and preparation. The reason for this fact remains unclear. This colorant was found in a clayed support. The colorant is the real purple used by the Phoenicians and the Romans. National Institute of Applied Sciences and TechnologyīP 676, 1080 Tunis, Author to whom correspondence should be sent ABSTRACT Laboratory of Natural Colorants and Additives Tijani KARMOUS, Housam BINOUS and Naceur AYED* Recent Studies of Cartheginian Era Tyrian Purple Artifacts MUREX IMPERIAL PURPLE, Zembra Punic PurpleĪpplications of Synchrotron Techniques in Art and Archaeology Workshop Imperial Purple, Murex brandaris, Murex trunculus Purple Painting on Location.
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